Happy Fifth Birthday, Del Rey Manga!

In the early noughties there was a sudden surge of interest in manga in the USA, resulting in several publishing houses establishing their own lines of manga in English translation. Some have fared better than others – and now, one of the best-established of them all, Del Rey Manga, has recently celebrated five successful years in manga publishing.

Del Rey, thanks to their relationship with Kodansha, have brought us a rich variety of titles and mangaka – although it will be interesting to watch what happens now as Kodansha have recently established their own US publishing base.

As a dyed-in-the-wool CLAMP fan, I was very happy to see Del Rey license the (then) new series ‘Tsubasa Reservoir Chronicle’ and its crossover/linked manga ‘xxxHOLIC.’ And when the first volumes appeared in 2004, it was especially pleasing to see the care that had been taken with these titles, setting a high standard that, by and large, Del Rey have maintained. From helpful explanations about honorifics to the fascinating Translator’s Notes at the end of each volume, with illuminating Japanese cultural references, not to mention previews of the next volume in the original language, Del Rey were offering something a little different, even a little more scholarly (but in a good way!) than Viz and Tokyopop (their main rivals in the field.) Another massive hit has been ‘Negima!’ by Ken Akamatsu; the story of ten-year-old wizard schoolteacher and his harem class of fourteen-year-old schoolgirls is ongoing and still selling extremely well. Their latest hot property is Hiro Mashima’s immensely likeable ‘Fairy Tail’ (and, yes, his art is still reminiscent of Oda’s art for ‘One Piece’ but not in a bad way.)

As the five years have passed, there have been more jewels revealed in the collection: most notably ‘Genshiken,’ ‘Mushishi, ‘School Rumble’ and ‘Sayonara, Zetsubou Sensei’ – and the classic SF series ‘Parasyte.’

And then Del Rey have given us the invaluable Character Guides: two for ‘Tsubasa’ so far and one for ‘xxxHOLIC’ (just out) as well as the ‘Genshiken Official Book.’ Filled with interviews, character information and facts as well as brand new material, these guides are useful for newcomers to the series and feed the addiction for existing fans. In France, a recent development from Pika has been to issue the last three volumes of ‘Tsubasa’ each in a box-set with the three episodes of ‘Tsubasa: Tokyo Revelations’ on DVD (subbed, not dubbed) from Kaze; one wonders if Del Rey might consider a similar project?

Criticisms? Well yes, I do have a few, even though I applaud Del Rey for the overall high quality of their translations and presentation (the lettering is usually easy to read, another bonus.) But there have been some weak – yes, even depressingly bad – titles amongst the jewels. Several of the shojo titles have left me scratching my head and wondering ‘why?’ Especially when Kodansha’s mangaka have won awards for shojo titles such as ‘Guru Guru Pon Chan’ And I’ve been less than impressed with their ventures into OEL manga; although ‘Yokaiden’ by Nina Matsumoto is a notable exception, with pleasing art and a theme rooted in Japanese folklore, that’s well worth investigating. The cinemanga titles such as ‘Ben 10: Alien Force’ and ‘Secret Saturdays’ (linking up with Cartoon Network) have impressed my kids at school, but may be seen by some purists as selling out. I’d love to be able comment knowledgeably on the recent X-Men and Wolverine manga, but, unfortunately, I haven’t yet seen them.  

 

And now Kodansha Ltd, celebrating its centennial anniversary in Japan, has just begun to issue its own English editions, Kodansha Comics, via Random House the home of Del Rey Manga. The first volumes of ‘Akira’ and ‘The Ghost in the Shell’ have just been released – or ‘re-published’ according to the publicity. The word on the street says that, rather disappointingly, they seem to be the flipped versions previously available from Dark Horse.

So what can we look forward to in the next few months from Del Rey Manga?
Later in November, comes ‘Moyasimon’ by Masayuki Ishikawa
‘Tadayasu is a new, fresh-faced university student hiding a bizarre secret: He can see germs with the naked eye. Between the machinations of an eccentric professor determined to unlock the power of the microbial world and the doomed agricultural experiments of his fellow students, will Tadayasu ever find the cool college atmosphere he so desires?’

The final volumes of ‘Samurai Deeper Kyo’ bu Akimine Kamijyo. Volumes 35/36 in December, followed by 37/38 in June 2010, Del Rey having taken over the license from Tokyopop.

And to please anyone with an eye for bishonen – or who enjoyed the anime R1 series – ‘Nighthead Genesis’ #1 with art with You Higuri.

At a time when other manga publishers in the US (apart from Viz and Yen Press) are cutting back on their output, Del Rey Manga must be doing something right to be continuing to issue on average eight titles a month. I’ve found much to enjoy in their output; I hope they can continue to keep up their high standards.

To conclude on a lighter note – and at the considerable risk of provoking the ire of Answerman from ANN – here are some lists!

Five Titles Suitable for – and tried and tested by –  older Juniors (10+)
1/ Kitchen Princess: includes recipes and loved by boys and girls alike – truly addictive! (10 volumes: complete, yet with a light novel to come.)
2/ Sugar Sugar Rune: an imaginative, touching and unusual take by Moyoco Anno on the shojo theme of magical girls. (8 volumes: complete)    
3/ Shugo Chara: ongoing magical girl fantasy – a huge hit in Japan, with a charming anime spin-off.
4/ Dragon Eye: a shonen fantasy fighting adventure.  
5/ Bakugan Battle Brawlers: from the Cinemanga collection

My ‘Five to Avoid’ Titles (please argue with me on this one! It’s only personal taste…)
1/ Gakuen Prince: you’ll either love or loathe this tale of predatory, sex-obsessed high school girls and their prey. Guess which camp I fell into?  
2/ Q-Ko-Chan: The Earth Invader Girl: a massive disappointment from Hajime Ueda, the mangaka of FLCL; what was that all about, then?
3/ Le Chevalier d’Eon – deviates significantly from the anime, a (non) triumph of style and large bosoms over coherent plot and…well, anything, really. Only for true enthusiasts.
4/ Pichi Pichi Pitch: singing mermaids;  but which one is which? Impossible to tell them apart… or care…
5/ Gacha Gacha: fan service, obviously not intended for me to enjoy, but some plot would have been nice… 

http://www.randomhouse.com/delrey/manga/index.pperl

A Christmas Wish-list for Anime Santa

As the year draws to a close, I’ve been scanning the lists of anime to be released in the UK on DVD at Christmas with a slightly jaundiced eye. Don’t get me wrong – I’m more than grateful for what we have available now on R2, especially when I think back to the turn of the century(!) when all I could find in our local HMV was, well, next to nothing, and certainly nothing that I wanted to buy…)
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Kyo Kara MAOH!


When an iconic anime series comes along, we all tend to sit up and pay attention, whether it be ‘Neon Genesis Evangelion’, ‘ Cowboy Bebop’, or ‘Gurren Lagann’ , to name but three on whose superior qualities critics and fans alike seem to agree. But I’m certain that everyone has their own secret favourite series which – while it may not be cutting edge, or a superb example of the latest techniques in animation – has nevertheless managed to charm its way into our hearts.
I first read about ‘Kyo Kara Maoh!’ in the late and much lamented New Type USA magazine. ‘A high school boy gets flushed down a toilet by some bullies and finds himself in another world…’
It’s certainly an attention-grabbing opening, as openings go. And I was entranced by the character designs, entranced enough to order the first disc on R1 from Geneon.

Yuri Shibuya goes to the aid of Ken Murata, who’s been set on by some older students. Ken escapes – but Yuri is the one who’s subjected to the full toilet treatment by the bullies. He wakes up to find himself – as he thinks – in a historical theme park. Attacked by angry peasants, he is rescued by a sword-wielding horseman – only to hear voices crying out, “Are you all right, your majesty?” as more horsemen appear. He has been magically transported to Shin Makoku, or the Great Demon Kingdom, where he is welcomed as the long-awaited twenty-seventh Demon King of double black (he tries to point out that in Japan, black hair and eyes are far from uncommon, but no one seems to care). And one man, among his rescuers, Lord Conrart  “Call me Conrad” Weller, seems strangely familiar although Yuri is convinced that there’s no way they can ever have met before. Taken to Covenant (or Blood Pledge) Castle, Yuri meets the members of his court and – unfamiliar with demon customs – manages at a family dinner party to become engaged to Conrart’s younger half-brother, Wolfram, before unwittingly accepting his new ‘fiancé’s challenge’ to a duel.

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Japan Expo: an otaku’s paradise, just across the channel.

Last weekend I was invited to attend the ninth Japan Expo at the Parc d’Expositions de Paris-Nord Villepinte. When I first read the names of the mangaka and anime artists who were appearing at Japan Expo this year, I had to pinch myself. Because the team who organize Japan Expo had accumulated a wealth of expertise and cultivated their links with mangaka and anime production companies in Japan to produce a starry line-up. I was lucky enough to be introduced to Thomas Sirdey, the Vice President of Japan Expo, the one responsible for organizing this impressive event. When I told him how amazed we were by the big names he had attracted to participate in signings and interviews, he said that it was largely because he and the team had visited Japan two or three times a year over some time, establishing good relationships and thus convincing the Japanese of the seriousness of their interest in the visual media.

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Confessions of a CLAMP fan.

I love CLAMP, I freely admit it. ‘Cardcaptor Sakura’ was the first shojo anime series I remember seeing on UK TV (before ‘Sailor Moon’?) and even in its mangled US version, I fell in love with it and went straight out to search for the manga. From the elegant art nouveau drawings on the Clow cards, through the sweet but not sugary depiction of friendship and first love, to the shadowy presence of Clow Reed, everything enchanted me. Surprising, really, that the next CLAMP series I read was ‘Tokyo Babylon’, as it made such a dark and doom-laden contrast to the cheerful optimism of Sakura and her friends. Then, of course, I had to collect ‘X/1999’ to find out what became of the tragic and ill-fated pair Subaru and Seishiro. Duly devastated by the terrible fates of characters I’d come to love and hate in equal measure, I consoled myself with the science fictional fairy tale ‘Chobits’ and the exquisite artwork of ‘Clover’. By the time the first volumes of ‘Tsubasa’ and ‘xxxHOLIC’ began to appear from Del Rey Manga, I was utterly hooked; what CLAMP fan could fail to be drawn into the whole ‘Tsubasa’ crossover concept?
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Great Artwork, Clear Storytelling, An Involving Cast of Characters…

Great Artwork, Clear Storytelling, An Involving Cast of Characters…
Del Rey Manga Round-Up Spring 2008

toto-1

I really love the classy Del Rey manga format, especially their in-depth ‘Translator’s Notes’ and previews of the next volume, but sometimes, of late, I’ve felt that all their loving presentation has been wasted some less than distinguished series. The winning formula – for me – is quite simple: great artwork, clear storytelling, and an involving cast of characters. Yet it’s surprising how many mangaka don;t quite manage to pull off combining all three. So I’m delighted to report that their two spring lead titles, Hiro Mashima’s ‘Fairy Tail’ and ‘Toto! The Wonderful Adventure’ by Yuko Osada are well worth investigating.

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New Manga from Del Rey

Pumpkin Scissors

Pumpkin Scissors Vol. 1 Ryotaro Iwanaga OT Ages 16+

“This book does not contain and is not based on historical facts. Please also note that standard military facts and concepts do not apply, either.’

In the aftermath of a protracted war between the Empire and the Republic of Frost that in some ways resembles World War I, the motley little crew of soldiers (and their dog Mercury, Corporal Private 1st Class, soon to be demoted to Courier) that make up ‘Pumpkin Scissors’ (Imperial Army State Section III) struggle to help the people rebuild their lives. It’s three years since the cease-fire, however, and the Empire is still terrorized by bands of former soldiers.

In command is 2nd Lieutenant Alice L. Malvin: young, idealistic, yet incredibly stubborn when she’s determined to get her own way. Alice’s unit find themselves pitted against Grey Wolf, a group of ex-soldiers still in possession of a tank, who are hiding out in a dam and terrorising the local villagers. Things look bad for Pumpkin Scissors until a scarred giant of a man, Randel Oland, comes to their aid. It turns out that Grey Wolf were Chemical Tactic Troopers who have used Kirche-3, a delayed reaction chemical weapon on the villagers. Pumpkin Scissors have a short time to get the antidote from Grey Wolf or the victims will die. It’s only when they’re being fired on by the tank that Oland brings out his mysterious blue lamp and his true identity is revealed. He is a Gespenter Jager, Ghost Hunter or Deathmarch Trooper, one of those ‘who march among the midnight glow’. The implication here (and more will doubtless be revealed as future volumes are translated) is that Oland and others have been secretly altered during the war to make them into human fighting machines. Alice and Oland seem to understand each other and the taciturn giant is made a corporal in her unit. But it’s not long before they’re called to the estate of a viscount who’s been hunting down humans for fun – with a tank. Trapped, Alice is forced to reveal that she is one of the thirteen noble families as she tries to encourage the viscount’s servants to rebel against their master and stop his bloodthirsty games.

Fans of ‘Fullmetal Alchemist’ may find some echoes of Colonel Roy Mustang’s squad (there’s even a dog!). The nice little touches of humour that alleviate the grimmer moments also bring FMA to mind, especially when Pumpkin Scissors attempt to look after an abandoned baby. The growing understanding between Alice and her laconic new corporal Oland hints at interesting developments to come. Well-told, with sympathetic, quirky characters and an intriguing premise, ‘Pumpkin Scissors’ is the stand-out for me of Del Rey’s recent list. And there’s the anime version on R1 to enjoy as well; although sadly, for us R2 viewers, it’s one of the new ADV series that’s just been announced as on hiatus before it’s even begun!

Hell Girl 1

Hell Girl Vol. 1: drawn by Miyuki Eto, based on an original story by The Jigoku Shoujo Project Ages 16+
“Hell does exist.”

Imagine you’re being blackmailed by one of your school fellows. Imagine you hear of a mysterious website that appears only at midnight which promises that the Hell Girl will care of your problem once and for all. Imagine you’re so desperate that you type in the name of your persecutor…

“To curse someone is to dig a double grave,” warns the beautiful, cold-eyed girl who arrives to fulfil your request. She is Ai Enma, Hell Girl. “If you want to take revenge you have to pay with your own soul.”

In each of the five tales that make up the first volume of Hell Girl, someone is being victimized. In Chapter 4, Junko’s beloved dog Lucky falls sick. Lucky dies in the care of the vet who has promised to care for him and Junko is distraught when the practice nurse tells her that the vet only treats the really profitable cases, neglecting the other animals in the surgery. After she uses Hell Girl’s website, the vet suffers an unpleasant fate and is last seen being ferried away on a boat by Ai Enma to hell.

The first volume of ‘Hell Girl’ has been released at roughly the same time as the R1 anime series from FUNimation. Each chapter follows the same formula, even down to the exact words pronounced by Hell Girl. Whether this format may evolve and change in subsequent volumes is hard to tell. There’s no hope of redemption here for the persecutors; they suffer a horrible fate for their crime, yet, as we already know, their victim’s soul is also destined for eternal punishment. The moral thus seems to be: put up with it – or condemn your immortal soul to eternal damnation!

Aventura 1

Ventura Vol. 1 by Shino Midorikawa Ages 13+

Although it has been compared to Harry Potter, (well, it is set in a school for wizards and wizard-swordsmen) ‘Ventura’ feels more like a traditional sword and sorcery tale – and is none the worse for that! Red-haired Lewin Randit dreams of being a wizard but has to put up with being trained as a swordsman at the Gaius School of Witchcraft and Wizardry. It doesn’t help matters that his classmates give him a hard time; easily provoked, Lewin is always getting into trouble. However, it seems that Lewin may not be as useless at magic as he believes – even though it can prove to be much more complex and dangerous than he has ever imagined. But when Lewin and two friends infiltrate the preparation room, they unwittingly unleash a deadly force trapped inside that endangers the whole school.

Midorikawa’s wispy and intricately detailed character drawings are distinctive and attractive, giving ‘Ventura’ a genuinely different look from many of the other fantasy manga stories around. It’s important to pay great attention to the text and dialogue; many significant nuggets of information are revealed, but not always at moments when they could move the story along in a meaningful way. In fact I had to read this first volume twice to make sense of the unravelling plot strands. Again, a most promising start to a genuinely different series that should appeal to CLAMP readers as well as sword and sorcery fans.

Dragon Eye 3

‘Dragon Eye’ by Kairi Fujiyama Ages 13+

Readers looking for a good shonen adventure can’t go wrong with ‘Dragon Eye’ by Kairi Fujiyama, which has recently reached Volume 3. Deadly viruses decimating mankind is a favourite theme of recent manga and anime series and in ‘Dragon Eye’ the ‘D Virus’ turns its victims into ‘bloodthirsty monsters’ called Dracules. Young Leila Mikami, whose parents were killed by a Dracule, sets out to join VIUS, teams of elite warriors who have very strong antibodies against the virus and are sent out to destroy the deadly Dracules.

‘Dragon Eye’ looks at first glance like a typical shonen, a little reminiscent of ‘D. Gray-Man’ (which is no bad thing), bursting with fights, warrior codes, and monsters. But a well-told, complex and involving story unfolds as Leila and the other new recruits are rescued from a deadly Dracule attack by a feisty blue-haired boy called Issa Kazuma. His secret is the Dragon Eye in his forehead, which lends him tremendous power whilst at the same time slowly destroying all that is human in his body. And, despite his youth, he’s the captain of Squad Zero to which Leila is assigned. Add in a third new squad member, Sosei Yukimura, out to exact revenge on Issa for killing his twin sister and an intriguing scenario is established, full of potential for future conflict. What is Issa’s secret?

Del Rey manga are still by far the best when it comes to helpful notes, explanations of Japanese life and culture and the pitfalls of translating (especially when it comes to jokes and puns). Colour plates are often included at the front (a real bonus in the case of CLAMP artwork).The list started very strongly indeed with the two ongoing CLAMP crossover titles ‘Tsubasa Reservoir Chronicle’ and ‘xxxHolic’. Other successes include Ken Akamatsu’s ‘Negima!’, historical ninja feud story ‘Basilisk’(seinen), Fuyumi Soryo’s ‘ES’ (josei) and Moyoco Anno’s charming yet gently subversive modern fairy tale ‘Sugar Sugar Rune’ (children of all ages!). And Oh! great’s subversive and manically brilliant ‘Air Gear’ is as crazy and inventive as ever.

Psycho Busters 1

However I have to confess that I’m not so thrilled by some of their more recent acquisitions: ‘Psycho Busters’ and ‘Shiki Tsukai’ are distinctly underwhelming so far and ‘Pastel’ and ‘Gacha Gacha Revolution’ are yawningly predictable in the ‘teen boy sees/squeezes/accidentally falls against teen girl’s boobies’ department. With so many titles like these in the list, it would be good to see a yaoi and/or yuri title or two. Thank goodness the dreary (and confusing) mermaid saga ‘Pichi Pichi Pitch’ has finished at last (without colour it was almost impossible to tell one mermaid from another), although ninja teen romcom ‘Kagetora’ lumbers on. Sf thriller ‘Alive’ and the classic horror ‘Parasyte’ are much stronger contenders. Shojo magical tale ‘Shugo Chara’ from Peach-pit is currently being made into an anime and the genuinely funny high school ‘School Rumble’ is still going strong. So I’m hoping for more titles of the quality and range of ‘Mushishi’ and ‘xxxHolic’ as the list continues to evolve and expand, making a strong start to 2008, overall, with much to look forward to later in the year.

Yen Press Launches in UK

With the Light

A new manga imprint is always cause for rejoicing and the promise of ‘Unfiltered manga for the unfettered mind’ was enough to make this self-confessed mangahead sit up and take notice. Yen Press have launched their list in the UK this autumn with an exciting and varied list of titles, including the first volumes of five manga series. Four of the five are competitively priced tankoubons at £5.99 per volume and while the fifth is more expensive at £10.99 but for a good reason: it’s not just the stand-out title of the first batch, it’s 527 pages long.

With the Light: Raising an Autistic Child Volume 1: Keiko Tobe

This series brings something rare to us in the UK: a ‘josei’ or women’s manga that is not only a heart-warming and moving ‘slice-of-life’ story based on a real-life situation but also contains much helpful and informative material about autistic spectrum disorders. It’s a well-paced and affecting read, telling the tale of Sachiko and Masato Azuma, an ordinary couple looking forward to the birth of their first child. At first all goes well but soon Sachiko suspects that something is not well with little Hikaru. “He doesn’t answer me and he hates being held and throws tantrums.” Criticized by her mother-in-law for being a ‘bad’ mother, and worn down by Hikaru’s puzzling and exhausting behaviour, she feels very isolated. The reader is soon drawn into Sachiko’s long and often frustrating journey from expert to expert in her aim to understand and help her son. Yet this is not a depressing read; Sachiko’s determination to do the best for her son in spite of the many obstacles she encounters is inspiring. Different – and highly recommended.

Spiral

Spiral: The Bonds of Reasoning by Kyo Shirodaira; art by Eita Mizuno (Teen)

Any reader who’s enjoyed ‘Case Closed’ will appreciate another series whose main interest lies in the uncanny ability of its central character to solve mysteries. Ayumu is the younger brother of world-class detective Kiyotaka Narumi. Growing up in his brilliant brother’s shadow, Ayumu suddenly finds himself in the spotlight when his brother disappears and he becomes the prime suspect in a murder at his school. Aided by Madoka, Kiyotaka’s wife and fellow detective, and the bubbly Hiyono Yuizaki, the female president of the school newspaper, Ayumu sets out to clear his name. Called upon to use his own exceptional powers of reasoning, he soon finds himself involved in the sinister mystery of the ‘Blade Children’, the very case his brother was investigating when he disappeared.

I had great hopes for the anime TV series of ‘Spiral’ which, in spite, of the intriguing premise, proved to be frustratingly slow. So I was interested to see if the manga on which it was based would prove any better. It’s early days yet as much of this first volume is concerned with setting up what is to follow. But Ayumu and the irrepressible Hiyono make a likeable pair of investigators, and although this first volume is not earth-shatteringly exciting, the word on the street is that this series is well worth staying with as it improves not only on the art front but also ups the stakes in excitement and plot development.

Zombie-Loan

Zombie-Loan by Peach-Pit (Older Teen)

Orphan Michiru Kita is one of those anxious-to-please high school girls who end up being put-upon and bossed around by their so-called friends. Two good-looking classmates, Chika and Shito, come to her rescue. The boys are the sole survivors of a horrible accident. Or are they? For Michiru notices that they have strange dark rings around their necks. She knows to her cost that they are warnings of impending death; she saw rings just like these on the necks of her own parents before they died. Timid Michiru resolves to try to help the boys, only to find herself in far more trouble than she could ever have imagined. Yes, there are zombies out there – and Michiru, with her special gift, is just the one to help her bickering class-mates who, in exchange for an extra lease of life, are working for a most unusual agency to pay off their debt.

The two mangaka team Peach-Pit are probably best known for their gothloli shojo fantasy series ‘Rozen Maiden’ (Tokyopop) and their charming fantasy for younger readers ‘Shugo Chara’ (Del Rey). So the dark comedy of ‘Zombie Loan’, with its 16+ label comes as quite a contrast to these other works. Well drawn with a good sprinkling of dryly ironic humour, there’s surprises and fights in plenty as well as a heroine with strong moe appeal.

Black God

Black God: story by Dall-Young Lim; art by Sung-Woo Park (Older Teen)

Everything goes wrong for games programmer Keita Ibuki when he stops by a noodle stand late one night for a bowl of ramen and ends up giving his meal to a cute – and starving – girl. This drunken act of generosity lands him in the middle of a full-scale battle between Mototsumitama, beings with superhuman powers, during which his arm is sliced off. Coming to in his own apartment, he finds that his arm has been reattached. Or has it? Kuro, the cute girl, explains that she has replaced his arm with her own – but he must stay close to her while it ‘fuses’ or it will rot away. And she’s been raiding his fridge as she’s still starving. Keita

‘Black God’ is a fast-paced, exciting action series, with plenty of fights and an interesting (though at first a little confusing) premise. (Even though the artist and author are Korean, ‘Black God’ is a manga, not a manhwa, set in Japan and reads right to left.)

Alice 1

Alice on Deadlines: Shiro Ihara (Older Teen)Shinigamis (Japanese gods of death or grim reapers) are big in manga and anime at present (look no further than ‘Death Note’ or ‘Bleach’). Lapan is a good-looking but lazy, skirt-chasing shinigami who messes up his next soul-reaping assignment on earth with disastrous consequences. Sent to the Human Realm to retrieve a eandering spirit, Lapan ends up inhabiting the curvaceous body of high school girl Alice, whilst poor, virtuous

Alice is displaced into Lapan’s skeletal form (a punishment imposed on him by his boss for his idle attitude). What’s more, Lapan obviously enjoys being a curvaceous sixteen-year-old so much that he’s in no hurry to swap back, especially when there are so many of Alice’s girlfriends (all oblivious at first to the swap) to hug and squeeze. ’Alice on Deadlines’ is, in some ways, another variation on that well-known theme, the teenage boy’s wish-fulfilment fantasy manga, although there is a frenetic comedic quality to the manga that recalls other off-the-wall fantasies like ‘Excel Saga’. ‘Pervy’ would be the best way to describe the humour with plenty of titillating shots to please the fanboys.

Alice 2

The Yen Press approach to translating sound effects alongside the original Japanese ‘in situ’ has been criticized elsewhere for holding up the action and making for a bumpy read. For example, when a door opens, we get the original Japanese lettering, plus ‘Gacha’ and (Creak) the translation in brackets; after a while this becomes rather intrusive. The advance publicity states that ‘Our goal…is to give you a reading experience as close to the original as possible…We’ll fret over every little sound effect…so that you can “hear” the cadence being evoked.’ A laudable goal, but I’m not wholly convinced that it succeeds.

Sundome

Overall, these titles make up a really promising start to an interesting and varied list, with plenty of good things to follow in 2008, including global manga ‘Y Square’ from Judith Park and vampire series ‘Nightschool’ from Svetlana Chmakova (already well-known for ‘Dramacon’). A link up with manhwa publishers Ice Kunion will bring ‘Angel Diary’ and ‘Moon Boy’. Out in January 2008 is ‘Sundome’ by Kazuto Okada, the first with an ‘M’ rating. New Japanese supernatural series ‘Kieli’ is promised for April 2008 and, rather pleasingly, three yaoi titles from Lily

Hoshino, starting with ‘Love Quest’ in October 2008.

Y Square

In Summary

Yen Press (www.yenpress.com) have brought out a strong and varied selection of titles, all of which are well worth investigating. I’m looking forward to checking out their new titles as well as following up on these five series in 2008. But I’d be interested to know what other readers think. I confess that I’m not a fan of global manga but both Judith Park and Svetlana Chmakova have already garnered many good reviews. Are Yen Press trying to cover too many different types of manga or are they right in diversifying?

SpiralZombie-LoanAlice 2KieliZombie 2SundomeY SquareSpiral 2

Just Can’t Get It Out Of My Head: those catchy – or incredibly irritating – anime theme songs

Genesis of Aquarion

(Inspired by Lewis’s earlier article – and the fact that I just can’t get the first ending song from ‘Kyo Kara Maoh!’ out of my head right now!)

In France they call them ‘génériques’. Here we tend to call them the ‘opening’ and ‘closing’ song. Love them or hate them, they’ve been an integral part of the whole anime experience even before the ‘Cha La Head Cha La’ song introduced Son Goku in ‘Dragonball Z’ way back when. Nowadays, being chosen to sing and/or write the song that accompanies the opening sequence can be the start of a lucrative career in the world of commercial music for a young singer or band.

So, what do you do if you’re driven mad by an anime song, but you’re not quite sure how it goes after the first couple of bars? Or you’ve been watching ‘Shaman King’ or ‘One Piece’ in the bowdlerized US versions and you want to hear the original music? You go to www.coucoucircus.org!

Vitaminless

I first happened upon the French website Coucoucircus a couple of years ago or so. Nowadays they have a really useful English translation as well. It’s a wonderful treasure-house of génériques, with the Japanese words helpfully transcribed so that you can sing along. It’s a great resource, as long as you don’t want to download the songs. As the good people who run Coucoucircus politely point out, there are other sites set up (and licensed) if that’s your aim. But for hours of happy browsing and listening (and a little karaoke), Coucoucircus is the site to visit. Of course, there is a long and honourable tradition of showing ‘proper’ anime on children’s television in France (anyone remember Club Dorothée?) so, referring back to Lewis’s article, there are plenty of nostalgic theme tunes to be found in their French translated versions on the site (‘Mysterious Cities of Gold’ and ‘Ulysses 31’ to name but two old favourites). Of course, if you’d rather have the lyrics translated into English, then www.animelyrics.com is another really useful site to visit with links to YouTube, also highly recommended.

Chobits1

I’ve often wondered, however, to what extent the appeal of an opening song influences the viewer’s first impressions of a series – and whether those impressions can be blighted by a naff or inappropriate choice of music. The witty mix of traditional Japanese imagery and hip-hop in ‘Samurai Champloo’ was an inspired marriage that led perfectly into the first episode. And Yoko Kanno never seems to hit a false note in setting the scene for what’s to come: from the Seatbelts jazz groove in ‘Tank’ for ‘Cowboy Bebop’ through the raw and restless ‘Stray’ for ‘Wolf’s Rain’ to the upbeat opening for retro fantasy/mecha series ‘Genesis of Aquarion’, she always seems to find the right sounds to draw the viewer in.

Then there’s the closing song. How could the mesmeric ‘Wind’ for ‘Naruto’ have been replaced for Jetix with that tedious guitar jangle (as they roll the credits at triple speed to allow more time for adverts?)

Spiral

Sometimes I can’t bear to listen to the opening song so much that I’ll skip it altogether. Am I alone in this? Top hate right now is the opening to ‘Spiral’. The singer’s voice is so piercingly off-key that I have to hit fast forward. Another pet hate is the beginning of ‘Gilgamesh’ (and the closing song as well). Liked the series and the rest of the incidental music – loathed the génériques. I also used to hate ‘In the Endlessly Far Sky’, the opening to ‘Kyo Kara Maoh!’ The lead singer of The Stand Up has a voice of such penetrating stridency that it could probably set dogs howling (we have a cat). Yet the ending (same singer?) is one of my all-time favourite anime songs: cute, well-matched to the adorable visuals and so catchy that once heard, you’ll just have to hear it again and again.

Kyo Kata OST

And talking of ending songs, some of the best are the cute ones, such as Rie Tanaka singing ‘Raison d’Etre’ from ‘Chobits’ or the ending to ‘Pumpkin Scissors’. As for those that reinforce the poignancy of the episode you’ve just been watching, ‘Mermaid Princess’ from ‘Chobits’ (Rie Tanaka again), Yuki Kajiura’s ‘Path’ from ‘Loveless’ or most unbearably sad of all, Yoko Kanno’s ‘ gravity’ for ‘Wolf’s Rain’. Yet I also love ‘Hey, Jimmy!’ by Hav from ‘Peacemaker Kurogane’; it’s such a brilliant pairing of an aggressively swaggering metal track with charmingly inconsequential domestic vignettes of the characters: Vice-Commander Hijikata smoking his pipe; Soji with Saizo, his pet pig, Tetsu playing with the other children. And the animation has been timed to fit the beat of the music really well; it’s simple but it worked.

I’ve proposed a few of my current favourites and pet hates. Anyone else like to name some of their best – and worst – anime theme songs?