Will Hollywood ever do a decent adaptation?

First off, apologies for the delay (and for the crooked images, wordpress is weird). I have exams this week and I was through in Glasgow watching The Kings of Leon rock the house at the S.E.C.C.

Anyway, earlier on during the week I had to endure one of the worst films I’ve seen in the last year or so. Speed Racer. I haven’t felt that my time has been wasted this bad since I reviewed Divergence Eve last year. (And no, I will never, ever get around to reviewing the third volume)

This two hour piece of crap prompted me to think about Hollywood and our favourite import from the east. Will they ever do a decent adaptation of anything to do with Anime or Manga?

The biggest problem that I have with this whole scenario is that we, as the regular punters, know that Tinsel Town can chuck out a decent adaptation of something. Insert Spiderman and Batman here. But when it comes to using source material from Asia, everything turns out to be like Daredevil, and the first Hulk, and the Fantastic Four. These three films on their own almost put the last nail in the coffin for comic related films until X-Men and Spiderman came along to save the day.

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Yokoso! Japan

First off, my apologies. I’m a day late but alas it’s better late than never. I’m taking a step away from the world of anime and manga for a few articles (partly because i haven’t watched any in a few months) and i’m going to try and offer you some good, practicle advice if you’re wanting to go to Japan.

You would think trying to find this information is easy enough with google ‘n all. But i spent quite a bit of time delving through the utter crap some people class as websites, in the end i found a few excellent resources. Going to Japan now is a bit sketchy, especially with the exchange rate hitting rock bottom. But i hope this will give you a good point of reference for the future.

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Cats really are good luck.

With the G8 summit happening in Hokkaido all journalistic eyes are on Japan. The news is a pretty depressing (or more so than usual) thing to read at the moment. The economy is in tatters, people are getting sacked left, right and centre and some poor teenager is being stabbed. So it’s nice every once in a while to come across something that brings a smile to your face and makes the world seem that little bit less insane. This BBC article I think highlights why i love superstition.

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Lost for words

After a couple months off from writing, I guess its time to return to this time consuming hobby. As you may have notice activity on Nakama has trickled to a halt, I guess the main reason is everyone is busy living their lives. I was the same, and unfortunately writing sat on the back burner. Now things are going again, we have a full schedule until the end of June so more posts ahoy!

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Doesn’t Time Fly?

Well it’s that time of year again. 2007 is drawing to a close… and what a year it has been. Following on from Martins post last week, I figured I would toss my opinion into the ring. In the last 5 years I have personally never seen anything quite like this year. We’ve had the ups, the downs and there are quite a few laughs to be had along the way.

If I had one word to describe this year it would be turbulent. Let’s take a little look at some of the major events of the last 12 months.

January was quite a quiet month for the UK and the Industry as a whole. A few releases were announced but other than that there was nothing big to report. So this takes us into February and its Channel 4 that steps into the lime light. Over the course of a week the terrestrial channel screened 4 Studio Ghibli films (Kiki’s Delivery Service, The Cat Returns, My Neighbour Totoro and Laputa : Castle in the Sky) Much to the delight of fans around the country this was repeated again in the Christmas season. Could this be a sign of anime getting more recognition on the UK market? Who knows?

But Anime on UKTV was about to take a somewhat considerable blow. In March digital channel Rapture TV cancelled its plans to run magazine-style show Anime Nation. And it looked like watching these shows on television was slowly slipping away.

May seen the return of anime music legend Yoko Kanno returning to play her first live gig to adoring fans in over 5 years. Sci-Fi London also hosted their annual Anime All-Nighter which keeps growing every year. Bandai Visual also released their sales figures for their most popular series. Coming in at around about 23 million volumes is very impressive, considering it’s only for the Japanese market.

To be fair the first six months was nothing out of the blue. A few anime screenings here and there but nothing that will make you giggle with joy and go “Wow!”

But fear not my fellow fans. This is only half the story. It’s from July onwards where things get interesting.

One of my favourite news pieces in July was from The British Museum and their new anime seasons aimed at all the family and those fellow otakus. This brings the total of anime screenings around the U.K to around 7(not including the local ones) and this is a really great sign for two reasons. 1. people are organising these events and 2. people are actually paying to go see them. Fantastic.

In August Amecon rolled around and every fans prayers were answered. It was announced by the industry that a brand spanking new channel was to be born. It’s focus. Anime, nothing but sweet, sweet anime. Anime Central (sky channel 199) starting from September 10th fans all over the UK with a sky subscription will be able to tune into great shows such as Cowboy Bebop, Ghost in the Shell, Gundam. The list goes on. Anime Network also announced they will be extending from their two slots at the weekend to a full 7 days. Fans were literally spoiled with choice.

 

After many years of speculation DBZ fans finally got what they wanted. 20th Century Fox announced the production of a live-action Dragon Ball Z film coming in at a nice round $100million. Over the next few months cast details have been released and work is well under way.

And it was all going so well, well for a few months anyway. Everybody already knows what’ coming, the demise of Geneon USA. After talks broke down between Geneon and ADV they company just couldn’t function and on the 28th of September they officially exited the USA market and in turn the UK. This has to be the most tragic news story of 2007. Geneon/Pioneer were one of the building blocks of the home video market and had some of the best shows on their books. They will be sorely missed.

As recently as the 23rd of December there are lingering rumours of the fate of Anime Network on Propeller TV. As of writing they are not listed on their viewing schedule and it looks as of the 31st of December, Anime Network is no more.

But with all the doom and gloom surrounding Geneon there was some good news. A new distributor opened up shop in the USA. Their name New Galaxy Anime, and while they only have one title in their catalogue one can only wish them well.

Continuing with the good news I was delighted to read that Japanese Foreign Minister Tarō Asō announced the creation of an “International Manga Award” for manga artists and creators from outside Japan. Now there’s something for all those aspiring UK manga-ka to look up to.

Where are all the shows released in Japan I hear you say? Well at the moment they don’t really affect the UK market and I’m positive there’s going to be a new show roundup at another time. Let’s stick to our rainy shores shall we. Here are some of my favourite titles released in 2007;

  • - Ergo Proxy
  • - Beck
  • - Mushishi
  • - Afro Samurai
  • - Tenchi Muyo Ryo-Ohki!
  • - Tenchi Muyo Movie Set
  • - Suzuka
  • - Love Hina Box Set
  • - Berserk
  • - Paprika
  • - Tekkon Kinkreet

These are all quality shows that have finally become available here. Go buy them all, now!

One of the funniest stories of the year originates in Japan. In October the Japanese Agriculture ministry reprimanded 6 employees after they spent a godly amount of hours making over 400 entries to the Gundam Wikipedia page. One determined chap managed 260 entries! This news was part of a trend of ministerial bodies using Wikipedia during office hours with the CIA, BBC and the office of the Australian Prime Minister being nabbed.

2007 has really made being an anime fan exciting again, who knows what surprises we will come across in 2008. I am hoping and praying that this trend continues. What we need is more anime on TV, more in the cinemas and more awareness for this lovely art form. Personally I think we are back to the stage of the late 90’s early 00’s. Anime is growing again and I just want the industry to get things right. They really have a good launch pad to do something with the market.

As the old saying goes, the ball is now in their court. So now I shall bid farewell to 2007 and look forward to next year. I hope everyone has enjoyed the last year as much as I have and hope you all have a great new year.

What does your collection say about you?

Thinking up the topic for todays article wasn’t the hardest task in the world. All I had to do was look to my right and stare blankly at my shelves chock full of DVD’s. The question I propose to you in this article is “What is the purpose behind a collection? What do you get from it?” Granted it may seem a little bleak but let’s take a little look into it and see what we can find.

Now everyone that is reading this has some sort of collection, it doesn’t even have to be related to anime, but why? Obviously the first answer is that we like the show enough to buy it. But do we get anything else for the money? Other than just a product? I think we do. Now I know that everyone is different, but when you look at your collection there’s something else there.

When I look at my collection I like to think of it as an extension of my personality. I liked these shows enough to go and buy, or import them and they sit on my shelf all neat and tidy. If anyone else was to look at it they’ll be able to get a rough idea of what I do and don’t like. I would post some pictures but unfortunately my camera has decided to hide itself, instead i’ve posted various collections from a few minutes searching on the net. What can we tell about these complete strangers?

But it’s not just a sense of personality that you can find in your collection, there’s also a sense of pride. Anyone that has an out of print show or a limited edition tin that you just can’t get anymore will know this feeling. When you look at it and go “That’s mine, hardly anyone else in the world has this” it should make you feel that little bit better about spending all of that money on it (A point I’ll be coming to in a later article)

The internet is a wonderful thing when it comes to looking for these types of situations; I’ve provided some examples as you can see. But everyone is different. Some people have literally thousands of DVD’s all neatly ordered into a cabinet. Some have plush toys and action figures scattered around their homes. Others buy the DVD’s and throw them in the cupboard, never to be looked at again.

I realize this is a short article but there it’s something that requires more discussion and less reading. The point I’m trying to get across is that everyone is different and this difference shines through in collections. You can tell a number of things about a person by the way they keep their things and for some people it’s not just about that DVD or that collector’s tin, but the memories and feelings attached to it.

The easiest example for me to give would be my collection of Tenchi Muyo. I have every thing you can think of in relation to that franchise; Books, DVDs, Manga, CD’s, Posters, the lot. But it’s not just about being a huge fanboy for Tenchi. In hindsight when I think about all the stuff I’ve bought it really is just a bunch of DVD’s etc but it encompasses everything I love about Anime. Tenchi was the first show that got me into Anime, which in turn spurred my writing about Anime. Looking at it now it just reminds me why I spend this hard earned money on collections like these. To keep me entertained.

My point is this. Everyone has different emotions tied to their belongings. What’s yours?

Photos courtesy of Shelf Life @ ANN

Box sets, So what about quality?

Over the past two years the Anime industry has gone from strength to strength. Almost every area of the DVD market has undergone some sort of change or development in the last 24 months. I’m trying to think of anything that hasn’t been tinkered with but I’m firing blanks [sic].

So today I’m going to take a look at something every fan knows and loves, Box sets. And as the title of this article says, looking at whether or not the quality of the fable box set is on the up or on the down.

One thing I have to say right off the bat is that I have no idea how the UK distributors work with box sets. I am only going to be making educated guesses about the things they choose and the reasons behind them. Quality is also a subjective value. One person might say the box set for series X is a shoddy piece of money grabbing crap, others might say it’s the second coming of Christ. This varies from show to show as the certain otaku groups wage war over the internet. I’m sure you all have your own opinions.

Box sets of days gone by.

It’s funny because on the surface of what seems to be a fairly simple and straightforward thing this question has taken me quite a bit longer than I expected. After all this preamble is nigh 250 words long. To make things easier in this article I’m going to look at three things. The quality of box sets over the years, the content and the price.

 

Now as I said before the quality of any box set varies from show to show. But the general consensus is that compared to the US and Japanese market we [The U.K] have been getting the short end of the proverbial stick. Over the last few years however we have seen more and more of these box sets creeping into the market, many at the end of a products life cycle in a ditch to boost sales and get some extra cash from the hardcore fans. Easiest and quickest example I can think off is the Akira and Macross Plus box sets. The single DVD’s have been around for years but now you have the option of a nice cardboard box and two more DVD’s.

Handbag, Box and DVD. The new Revilation Films Autumn collection.

Even then if you look at other series some don’t get a second sniff. Everyone’s in this for profit and if the companies can see an old series getting some extra cash before the next big thing comes along then they’ll be damned if they don’t do it. Prime examples are the new Tenchi collections the late Geneon brought out. The show is nearly 15 years old but there is still that market out there that warrants a new box set. And no, I’m not even going to touch DBZ. There is a new box set every god damned month from that show.

It’s not only the amount of box sets the other markets get that overwhelms us, the actual content of them boggles the mind and many offer good value for money. I know that Haruhi isn’t released in the UK just yet but I bought the US box set the day it came out and when it arrived at my door I was greeted with a nice sturdy box, two DVDs, a CD, a Haruhi armband, a hair band and a pencil board. All of that for some £20 odd quid. Then you look at some of the things we get offered for our precious pennies, it doesn’t look good.

Will the UK release get all these goodies?

What would you say is a fair price for a box set of your beloved series? £5 more than usual? £10? £20? As I said earlier it’s all subjective, one mans treasure is another mans junk and finding that sweet spot that tempts both hardcore fans and that shopper in HMV is one hell of a task. Box sets can offer some amazing value for money, depending on where you go, and if you were going to buy the series anyway spending a few more quid and getting a nice box to put on display is a bonus. Courtesy of the Box sets little brother, the m-lock, you can get both for a fantastic price.

So looking back it’s been a fairly negative article, we’ve been getting shafted for quite a while either by price, not enough in the box set itself or hell, no box sets at all. But like anything over the past two years things have been changing, slowly but surely. Over the past two months we’ve had some quality box sets being released. Beck comes to mind along with a few others, there’s one in particular I’m going to go over.

Afro Samurai

Now regardless if you like the show or not the UK directors cut was released on October the 15th. And in a nice email from Anime-on-line.com I was given a taster of what could be had. In this box set there are 6 DVD extras ranging from unedited dialogue, character profiles right up to the official launch at Comicon US 2006. You also get a 20 page booklet “pitch bible” used by GDH to get TV companies interested, 5 art cards and some flip DVD covers. We also can’t forget the box itself.

Lots of goodies to be had here.

Now taking a look at volumes released in the UK the average price is what? £13.99? £14.99? this Afro Samurai costs just £17.24 and you get all of those extras. That’s a bargain if I’ve ever seen one.

Granted that is one drop in the Anime Ocean but, dare I say it, the industry is finally waking up and giving us some quality items we can be happy about buying. Whether they are just carbon copies of the stuff the Americans get doesn’t really matter. What matters is finally the UK market is getting the recognition it deserves in terms of box sets.

There is only one other question I have yet to figure out the answer to. Why the bloody hell did it take so long?

Music and Translation – A dying art?

Since this is my first post on this brand spanking new blog I decided to cover an issue that I had completely forgotten about until a few days ago. As I was roaring along the road running over various species of wildlife and pensioners one of Gwen Stefani’s records came on the radio. As you may or may not know Gwen in her recent years has taken a great shine to Japanese pop culture. Funnily enough this 3 minute spat of pop music got me thinking to more pressing matters, the state of anime soundtracks and their past.

When I got home I had a gander over my soundtracks through the years and there’s one thing I noticed that has changed. Back in the early 90’s you would be hard pressed to not find a soundtrack that didn’t have some sort of English translation. Carrying onto the late 90’s there was a mix of both original Japanese music and English translations. If a show was deemed popular enough the songs would be re-dubbed along.

But now we are almost in the 2010’s and things are changing.

Now if you’re sitting there and thinking that nothing has changed then let me show you some examples. The easiest ones that come to mind (you may have your own, please let me know) are Tenchi Muyo and Dragon Ball Z. Through the early 90’s both soundtracks for these shows and movies were sung by English speaking artists for their respective dubs and were included in the shows at one point. They were released into the American market and things were all fine and dandy.

Move onto 1998 and Cowboy Bebop was released. This soundtrack is considered by some as the best in any Anime. It’s also a fine blues track in its own entity. Now the most important thing about the songs released by Cowboy Bebop was the mix of both English and Japanese lyrics.

Now taking a look at current day Anime soundtracks. One of the biggest phenomenon’s of 2006 was the release of Hare Hare Yukai from T.M.O.H.S The catchy ending song from this uber popular show engulfed Anime fandom like a wild forest fire. The soundtrack was released with the dubbed R1 box set, completely untouched from its original format.

So if we look at things in the bigger picture we can see that the soundtracks and their translations have changed over time. There are a number of theories and thoughts behind this and I share sentiment with a few of them. For one you could say that Japanese pop culture, along with Anime, has become more mainstream and accepted than it was back in the early 90’s. People are now more open to foreign music sighting less need for change.

You could also argue the fact that the overall quality of the Anime soundtrack has increased over the years. That still doesn’t mean all soundtracks are great. Every time I hear a song from Naruto I want to kick puppies. But the really good pieces of Anime music are on the level of pop songs and are taking over the charts in Japan.

But there’s also the fact that other artists from various countries are also being brought in to do their piece for shows. One example that comes to my mind is Ergo Proxy. The theme tunes from this particular show were done in English by Monoral and the infamous Radio Head. Now obviously there are plenty shows out there with various soundtracks and these are not the be all and end all. These are only examples that spring to my mind when writing this.

But the music to Anime has changed over the last decade or so. You can think of your own reasons but I would personally put it down to the quality of songs going up along with the demand for Japanese pop culture. Hence why Miss Stefani got me thinking about this article. I don’t think the music translation has died out completely; the chance for cover songs is still there. But with companies trying to save as much costs in production as they can and fans willing and able to buy the first product anyway. It begs the question to the creators, is there really a demand out there anymore?

But with fans craving more original music and the song writers themselves doing songs in English, I wouldn’t put money on translations being around much longer. Over the years to come I think the trend will continue. We will see a variety of different genres using both full English and Japanese tracks, all mixed into one big shiny album for you to buy.